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The art of Bebo

Cuban pianist, bandleader, composer and arranger Bebo Valdés was living in obscurity in Stockholm, when Trueba reintroduced his playing to an international audience with his film Calle 54, and went on to produce the Grammy-winning Lagrimas Negras album, teaming Valdes with flamenco singer Diego “El Cigala”. Trueba agrees that photos of the handsome young Valdés gave Mariscal inspiration for his physical conception of Chico, but the character is not wholly based on the musician.

    

Homage to Bebo Valdés

“I think Chico is not Bebo,” he says. “Chico is a tribute to all the Cuban musicians of that era. You can find things from Bebo, you can find things from Ruben Gonzalez, or this generation of guys, some of them stayed in Cuba, some of them left. Chico is both of these things: he goes to America, but then in the end he has to go back to Cuba, so he participates in both these kind of lives. But if Bebo had not been such an important part of my life all these years, then maybe this movie would not exist. I wrote parts of the script with Bebo’s music in my head. He has been a strong inspiration, and then our score is by him, and we’re going to dedicate the movie to him. So the spirit of Bebo is all over Chico & Rita.”
Towards the end of the film, Chico gets a new lease of life when flamenco singer Estrella Morente arrives in Havana, looking to discover authentic original talent for a musical collaboration. Trueba was able to persuade the real-life flamenco star, who has been performing since the age of seven, to participate in the film.
He says, “I’ve loved Estrella since she was very young. She has one foot in the 19th century and one in the 21st century; she doesn’t belong to the 20th century. She’s so profound and so ancestral and at the same time so modern. It was beautiful to have her as a real character and a real person in the film.”

  • "A brilliant homage to the cinema, to music and to love stories"

    Luis Martínez / El Mundo

  • "A stunning series of images, a genuine visual feast."

    Llàtzer Moix / La Vanguardia

  • "One is left with the sensation of having seen something familiar, warm and, let’s confess, beautiful"

    Luis Martínez / El Mundo

  • "The architecture of Havana and New York filtered by Mariscal’s particular iconography. "

    Federico Simón / El País

  • "Riddled with movie references as well as musical ones. It is a tribute that is full of sensuality."

    N. S. / El Periódico

  • "Mariscal and Trueba’s creative torrent flows through a city with wide open balconies. "

    C. Jiménez / Ine.es

  • "One of the best films ever made about jazz, I can’t think of any other that is truer and more moving."

    Gary Giddins / Film Comment

  • "Mariscal has captured the essence of Havana in the 40s and 50s with impressive beauty, detail and colour. "

    Rebeca Mauleón

  • "An intense and sexy yet turbulent love story"

    telegraph.co.uk

  • "It transports you to the vibrant, violent, sensual world of Havana in the 40s."

    Laura Snoad  / designweek.co.uk

  • "Visually hypnotic, musically electric "

    Stephen Farber / Film Review

  • "The elegant Central Park winter scene is memorable"

    Stephen Farber / Film Review

  • "The best musical of the year"

    Philip French / The Observer

  • "Mariscal has created the sexiest cartoon female since Jessica Rabbit. "

    Paul Whitington / Independent

  • "For all the romantics out there"

    Helen O'Hara / Empire

  • "Absolutely unique"

    Chris Sullivan / Metropoli

  • "The golden age of cartoons continues"

    Pam Grady / Movies.Yahoo.

  • "Pure pleasure"

    Meredith Brody / ThompsonOnHollywood

  • "A feast for one’s sight and hearing, These are easily the best 90 minutes I’ve spent in the cinema this year."

    Joseph Fahim /Daily News Egypt

  • "Impeccable work of art"

    David Jenkins / Time Out

  • "The virtuosity does not decline in this visually impressive and musically rich film"

    Lisa Mullen / Sight and Sound

  • "I have fallen in love with a film full of so much life, warmth and love and it reminded me what style in the movies is about"

    Shane McNeil / Toronto Film Scene

  • "This is a classical Hollywood film and truly a work of art"

    Shane McNeil / Toronto Film Scene

  • "Mariscal's drawings are magical"

    Jenny McCartney / Seven The Sunday

  • "The best jazz soundtrack in decades"

    Chris Sullivan / Metropoli

  • "One of the 10 best films of the year"

    Mark Kermode (BBC)

  • "Almost unimaginably rich and resonant!"

    AO Scott  / NY Times

  • "A swooningly beautiful, adults-only drama!"

    Lou Lumenick / New York Post

  • "Chico & Rita is the first big serendipitous surprise of 2012! A dazzling and delightful work of modernist animation!"

    Andrew O-Hehir / Salon

  • "The grown-up choice to win this year’s oscar for animated feature!"

    Marshall Fine / Huffington Post